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Tattered Cover signing and Denver Press Club Book Beat
Making the promotional rounds
in Denver for Olympic Affair

January 25, 2013:
In the past couple of weeks, I made appearances at the
 Tattered Cover (East Colfax branch) and at the Denver Press Club to
 discuss, answer questions about, and sign Olympic Affair.

The January 17 appearance was my sixth at the TC, and it remains a pleasure
 and a thrill to speak at one of the nation's top independent bookstores. (One
 regret: I haven't ever appeared at Powell's, which I used to haunt when we
 lived in the Portland area.) This time, it was a joint "Evening of Historical
 Fiction" appearance with Paul Levitt, the University of Colorado professor
 emeritus whose terrific and panoramic novel, Stalin's Barber, also is
 from Taylor Trade. Rick Rinehart of Taylor Trade moderated the discussion.

Paul and I, in fact, both publicly thanked Rick for taking a chance on our
 novels -- the first ones Taylor Trade has ever published. Until recently, in
 fact, the TT Twitter profile noted that it published books "in all genres except
 fiction." Now, it says: "We are the trade divisions of the Rowman &
 Littlefield Publishing Group. We've got books in nearly every genre! Sorry,
 no zombies, no vampires." Taylor Trade also published the paperback
 version of Horns, Hogs, and Nixon Coming; plus '77: Denver, the Broncos
and a Coming of Age
and Playing Piano in a Brothel.   

After the signing portion of the program, as is the custom, we both signed
 extra books for the TC, so autographed copies of both Olympic Affair and
 Stalin's Barber are at the East Colfax branch.

Then on January 24, Bruce Goldberg of the Denver Business Journal, also
the Denver Press Club's president, interviewed me for a "Book Beat"
 program at the DPC. Among those in the audience were fellow authors
 Michael Madigan and Dennis Dressman, both former editors and
 executives at the Rocky Mountain News, and they asked me questions
 about my methodology and the book itself. (Mike briefly was my boss
when I worked part-time at the News when I was in college.) 


Screenplay versus book: Horns, Hogs, and Nixon Coming example

Same Opening, Different Style

I've found that writing screenplay adaptations of existing works – in
these instances, of my own books isn't agonizingly difficult. I've
done it three times and without going into details, all have been in or
are in "the loop." I've had meetings, lunches, cocktails at the Beverly
 Wilshire and (appropriately, as you'll see) breakfast at the Hotel
Bel-Air, and a discussion in a Hollywood star's Brentwood living

room ... all of it. But, no, you haven't seen any of those films on

the screen. Yet.

I'm not saying writing an adaptation is "easy," and it's based in part
on the recognition that any script is a starting point for the director
and it will undergo considerable change in the process. And in
some cases, that's putting it nicely.

From the start, the story is already in my head and the computer,
dialogue or suggested dialogue is in front of me, and the biggest
challenge is avoid trying to simply put the book in screenplay
form. That requires stepping back, taking liberties and most
important deciding what to focus on and what to leave out for a
feature-length film. 

Third Down and a War to Go, the book, was about Wisconsin's 1942
college football team winning the national championship and then
going off to war, with some not coming back. For the screenplay,
I tightened the focus, making it more the story of three of the
Badgers' stars. The opening is different than that of the book, starting
with team captain and two-time All-American end Dave Schreiner
serving as a Marine in the Pacific and receiving a letter and a clipping
informing him that his Badgers co-captain and lifelong buddy, bomber
co-pilot Mark Hoskins, has been shot down on a combat mission and
is feared lost.

The Witch's Season, the book, was about a team modeled on my
father's Oregon Ducks of the late 1960s, the famous men on his staff
and team, and the tumultuous campus. The screenplay version
compresses the time frame, ending the film right after Nixon's
election, rather than on his Inauguration Day. It leaves part of the
story unresolved, but with enough foreshadowing for viewers to fill in
the blanks themselves.

Horns, Hogs, and Nixon Coming (2002) was the most challenging,
perhaps because it's the one that I could envision being done as
a mini-series rather than a film. For several reasons, I won't give away
the gist of the decisions I made, but I will say that I cut out alot of
the story and back story and made it very specific.

Two of those three are non-fiction books, and I found that the
experience of doing the screenplays taking a true story and
imagining dialogue and scenes  helped greatly when writing Olympic
Affair: Hitler's Siren and America's Hero
, which even more than the
other books is almost what I consider the novelization of a
screenplay. (A screenplay that doesn't exist.) Reviewers have noted

the "cinematic" approach. 


Now, for an example: Although there are major differences between
the HHNC book and screenplay, I started both with the same 1985
"scene" former Razorbacks defensive back Bobby Field, then an
assistant athletic director at UCLA, encountering former President
Nixon outside the Hotel Bel-Air. After this, of course, the story flashes
back to 1969. As it turns out, of course, while Nixon remembered
quite a bit about the events of December 6, 1969 game in
Fayetteville, there was a lot more going on that he didn't know

Here's the opening segment of the screenplay. I can't supply
the popcorn and keep in mind that when I originally wrote it, it was
roughly eight times as long before I was reminded it needed to be
snappy and set the stage for the flashback.



Sprinklers spray as Bobby FIELD, late-30s, fit, and wearing a gray “UCLA FOOTBALL”
 T-shirt, takes off at a one-time serious athlete’s stay-in-shape pace.



Field approaches the campus entrance and sprints across the street, entering Stone Canyon



MARCH 30, 1985



Among the stories we’re following on KNX 1070: Reclusive ex-President Richard Nixon is
 visiting his native Southern California, and he was spotted having dinner at Chasen’s last night
 with Paul Keyes, the producer of the old “Laugh-In” TV series. No word on whether
 President Nixon reprised his attempt at the show’s “Sock It To Me” catchphrase on the
 show during the 1968 campaign.



John, you have to say that right. It was a question.



(Bad Nixon imitation)

“Sock it to me?”  



Field runs up the winding road. Hotel Bel Air is ahead. Three Men in suits walk toward Field.
 AGENT 1 and AGENT 2 are big and fit. The man in the middle is Richard NIXON at age
 72, getting morning exercise. Ten feet short of Nixon, Field puffs out a greeting.



Good morning.




Field has reversed his direction and is coming down the hill. He spots Nixon again, next to the
 hotel’s canopied entrance. Field detours into the parking lot and slows to a walk. As the
 Agents step forward, he approaches the former president and lifts his right hand in a
self-conscious greeting.



Hello, Mr. Nixon … Mr. President. Sorry to bother you, sir, but I decided I should introduce
 myself. I’m Bobby Field. I’m the football defensive coordinator on Terry Donahue’s staff at



Sure. You had a fine season.


Nixon offers his hand. Field shakes it.



Thank you, sir.


As a matter of fact, in 1969, I was a defensive back for the University of Arkansas and you,
 sir, came to our game in Fayetteville against…






Yes, sir.


A limousine pulls up. The DOORMAN opens the back door. Nixon doesn’t move.



Terrific game! Numbers one and two in the nation. Texas with James Street running the
 wishbone offense and throwing that long pass … Arkansas with Bill Montgomery firing away
 to Chuck Dicus … That fine Texas boy, Freddie Steinmark, visited me later at the White
 House … I was in the stands, freezing, with Governor Rockefeller and George Bush and
 Senator Fulbright … and it comes down to the final minutes and it’s anyone’s game … and



Sir, we should go.



What a thrilling finish! And when it was over, I went to both dressing rooms.



Yes, sir, this is the second time I’ve shook your hand. This time, I'm not crying. 


Agents nudge Nixon into the car. Limousine pulls away. Field watches with the doorman.



That must have been some football game, him rattling all that off. He had a hard time coming
 up with his wife’s name yesterday.





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